one more for the pop.

it is nearly 12am and i just remembered studio 1am and their cork bracelet that, yes, pops-out.

ok, it's 12am. goodnight.

thanks for reading.

guest star friday no. 3...iris bodemer continued

i ended up tracking down a copy of the iris bodemer catalog i mentioned in last week's installment of guest star friday. i found it at charon kranson arts in nyc. charon has an extensive collection of studio jewelry books and exhibition catalogs for sale. my copy arrived yesterday and is more wonderful than i remembered. the cover is different (maybe the cover design varies from book to book?), but it still has the staples, AND a strip of green shiny tape. tape, i say!




thanks for reading.

more popping...

after my last post on pop-up/out jewelry, i remembered this clever blissen creation - "the necklace notecard"

ps. i love all the blissen goods.

thanks for reading.

pop!

how fun, pop-up/pop-out jewelry! i've been searching for this stuff on the internet and found these two rad designers so far:

alissia melka-teichroew makes "ring a day." she's also the designer behind BY:AMT. and there's melissa borrell who makes "pop-out jewelry." i'll keep looking for more.

thanks for reading.

this is why i heart lace.

yesterday i read and studied two different books on lace. they were mesmerizing. i made a list of why i am interested in and how i relate to lace, including phrases and key words:

1. repetition of shapes and patterns - both positive and negative space
2. patterns within patterns
3. repetition of line
4. "system" of patterns and shapes that coexist and rely on each other to simultaneously create the over-all look as well as the individual elements
5. certain patterns and lines create/suggest movement and/or rhythm - can be subtle
6. combination/interplay of organic and geometric imagery
7. lace is an exercise in contrasts
8. words that come to mind when i look at lace:
grid-like
structural
organized
rigid and flowing
order
highly detailed
intricate
complicated
delicate

when i look at lace i am attracted to all the things i listed above but i also see these things everywhere i look. they are often the most noticeable or appealing aspects of objects and scenery to me. i even strive to create them in my work. (and i strive for them - order, structure, organization - in my home, office, and studio.) my sculpture teacher, bob booth, at SUNY fredonia, often talked about how the eye moves or travels along a sculpture. i haven't forgotten this concept and think about it when i make my jewelry and when i am observing things. i refer to it as "visual movement." i think this applies to looking at 2D images as well, including lace.

thanks for reading.

all images from: pictorial archive of lace designs ed. carol belanger grafton

much needed day off

i finished my new collection pieces (all 35 of 'em!) and sent them off to my photographer, hank drew, in seattle. i am very pleased with the finished jewelry and had a great time making it, but i am (temporarily) spent. it takes a lot to make new work and it can be an intense process. plus, my fingers and my right wrist hurt. time to recharge. day off. (and maybe tomorrow, too.) so here i am, it's monday, i'm in bed with my laptop, a stack of books and magazines, a cup of tea, and my purring cat. the stack of books has been sitting here for a few weeks, neglected due to busy-ness. here's the break-down... martin puryear (the book from his recent moma show), pictorial archive of lace deisgns, antique lace patterns, the new vogue, the new metalsmith magazine, and 500 necklaces. good stuff. now i am going to stop this entry so i can get to it.


thanks for reading.

guest star friday no. 2...iris bodemer

back in january 2004 i was feeling a little burnt out by the previous busy holiday season so i took a week off from work (my studio) and took a class with maria phillips at pratt fine arts center in seattle. it was one of the best things i have done for my jewelry/career so far. i had five 8-hour days to learn new things and experiment. this is when i learned how to solder steel which has lead to a successful line of jewelry that i love making. it was also when i first heard of german metalsmith, iris bodemer. maria had brought in all kinds of jewelry books and exhibition catalogs, among them a book of iris' work. i remember it had staples as part of the design of the book itself and they gave it a lovely handmade feel. inside, her work was unlike anything i had seen before. the pieces were like sculptural drawings: abstract, minimal, and quiet. she used metals and alternative materials and i especially liked her use of thread. in 2006 i went to see an exhibition of her work. it was a duel show with maria phillips titled "sculpture becomes jewelry." one of the gallery walls was covered in 12 x 18 canvas boards that served as the framework for 64 different jewelry compositions, each made up of an abstract brooch and a simple drawing; the two meant to be viewed as one piece. i loved the emphasis on form and how the jewelry related to the drawing and vice versa. they were captivating and it was thrilling to see one of my hero's work up close.

images from top: cover of the aforementioned book. a piece similar to those in the 64 canvas board installation, 2005-2006. mixed media.

thanks for reading.